Director Carroll Ballard's ability to create unforgettable imagery has compensated for lack of substance in the past. "BLACK STALLION," and "NEVER CRY WOLF" are both examples of films which possessed haunting imagery.  With "WIND," Ballard takes on the America's Cup race, and rarely misses a chance at providing one visually stunning moment after another. Again, however, the narrative is somewhat uninspired.  Matthew Modine plays Will Parker, a fine sailor, whom competes regularly for the Cup with Australia.  His girlfriend, Kate(Jennifer Grey) is a beautiful genius. She's not only a sailor but pilot as well. The two help one another win against Captain Morgan (Cliff Robertson) and Will ends up getting promoted, while Kate is let go.  Her knowledge of aeronautical engineering comes in quite handy when she travels to the Nevada desert to design a state-of-the-art ship.  Soon enough, Will travels to her and the three of them complete building a new ship that may win them the Cup!  

While the racing scenes are phenomenal, most of the "land" story is sluggish and predictable.  Still, even here, Ballard creates some mesmerizing moments.

The cast is fine, but it's Cliff Robertson who really shines here. He's perfect for the part, and it's a bit frustrating he's not in it even more.

COLUMBIA TRISTAR has preserved the film's 1.85:1 aspect ratio, with 16:9 enhancement. The colors are solid, complimenting the wonderful images throughout the film..  For some reason, Ballard is on record stating he felt that a 2.35:1 ratio would've hindered the look of the film, believing the dramatic power of a sail's height created more impact than its width, but there have been countless numbers of terrific "pirate" films, putting that argument to rest. Still, Ballard's 1.85:1 images are often breathtaking and this is a terrific transfer. Contrast is excellent, offering deep blacks and grays.

The Dolby Surround mix is effective, while not overly aggressive. There are some great surround moments, enhancing the race scenes, but surround speakers are used mostly to boost the film's wonderful score. Dialogue is always intelligible and free from distortion.

The theatrical trailer is included.