STAR TREK:THE DIRECTOR’S EDITION-

 Finally, “STAR TREK-THE DIRECTOR’S CUT” is available on dvd.  While most fans consider this initial entry the worst of the film series, it has its moments, and the spectacular dvd presentation offers the best arena for it to be appreciated, short of a top-notch big screen movie theater experience.  The film’s opening sequence is spectacular!  A bunch of Klingon ships are destroyed by a mysterious gas cloud, and as the plot unfolds we find that the cloud is being controlled by “V’ger” a force at the cloud’s center, seeking out its creator. 

The opening scene is so spectacular that when the rest of the film can’t match its thrills, it inevitably disappoints. While the special effects of 22 years ago appear dwarfed by today’s technologically advanced computer advancements, the opening segment and some others still manage to impress.  Unfortunately, much of the film’s production design is allowed to overshadow everything else that should be important, and the story lags and suffers because of it.  There are long and drawn out sequences, with no purpose other than to “intend” to astound the viewer with the “scope” of the imagery.  It’s nice to see the Enterprise, but it doesn’t necessitate the ridiculously overlong introduction it was given here.

PARAMOUNT has gone all out for this dvd presentation, offering it as a 2-disc set with many extras. The 2.35:1 aspect ratio has been retained with 16:9 enhancement.  The colors values are fine, but as in the theatrical release, they’re extremely subdued for large portions of the film. Contrast is fine, with deep blacks and greys.  Contrast is fine, although there is still some excessive grain during a few special effects sequences.   The Dolby Digital 5.1 mix is exceptional.  As mentioned earlier, the opening sequence is nothing short of spectacular, and the mix allows viewers to appreciate the demonstration quality presentation.  The Jerry Goldsmith score is unforgettable, and the LFE channel will rock the house during this and many other scenes.  

Director Robert Wise, Douglas Trumbull, John Dykstra, Stephen Collins, and composer Jerry Goldsmith, all provide a commentary. 

There are several documentaries included here.  While most offer some interesting production information, the best of them, “REDIRECTING THE FUTURE” looks at how the special effects were improved for this release with digital animation. 

There are extensive supplements, including trailers, commercials, storyboards and more.