Philip Seymour Hoffman gives yet another terrific performance in “LOVE LIZA,” being released on dvd from COLUMBIA TRISTAR.  Hoffman has been standing out for years in supporting roles, and while his role in “MAGNOLIA,” written specifically for him, allowed an opportunity for him to reveal great depth, he never had the responsibility of carrying a film until now. 

In “LOVE LIZA,” Hoffman plays Joel, a man suffering from the recent suicide of his wife, Liza.  She’s left him a note in a sealed envelope which he refuses to open.  Instead, he suffers day-to-day, doing various activities, working, etc., but he’s not really a part of anything. He’s lost, sleeping on the floor, habitually getting high on gasoline, and behaving in ways which display his inability to be part of something bigger.  He’s coasting through life, without being or feeling a part of it.  The saddest thing is that he does want to belong, but is unaware how.  When his boss suggests he take a vacation after his behavior at work becomes disturbing, it’s not even a temporary band-aid for his pain.  Even beneath all the pain and anguish that is Joel’s life, there’s a real optimism that surfaces in the brilliant script.  We and Joel find those who care, without judging.  They’re actually there for him, and “LOVE LIZA,” while a small film, say’s “a lot” about the human condition, grieving, and the power of love, be it sensual or “agape.” 

COLUMBIA TRISTAR has preserved the film’s 1.85:1 aspect ratio, with 16:9 enhancement.  The transfer varies in quality throughout the film, alternating from a rich and vibrant look to one that is dull and grainy. Contrast is fine, with generally deep blacks and grays.  Fleshtones appear natural throughout.

COLUMBIA TRISTAR has provided a Dolby 2.0 Surround mix.  While it’s not an aggressive mix, surrounds are used effectively in regards to ambient effects, as well as the wonderful score. 

COLUMBIA TRISTAR has provided a running commentary with Hoffman, director Todd Louiso, and writer Gordy Hoffman. It’s a great commentary, lending much insight into the various themes of the film, but also the filmmaking process in general. 

Several trailers are also included.