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One of the most praised films of 2009, "THE LAST STATION," has been released on blu-ray by SONY. There's a lot of conflict in the last year of Tolstoy's life, as depicted here. The great author(played brilliantly by Christopher Plummer) is at his country home, trying to contend with Vladamir Chertov's pleas to release his copyrights into public domain, ensuring they be carried and hailed by the nationalistic fervor occurring throughout the country. Along to help and spy on Tolstoy, Valentin Bulgakov, a fan, and through whose eyes we obtain a fuller, perspective on the author. Sofya, Tolstoy's wife, is perhaps wiser than the great author, and Helen Mirren brings a real depth and complexity to the figure, demonstrating even in that period of time, the under-acknowledged spouses were often the ones responsible for holding the most significant aspects of public image and private vices, together in a way, that protected the family name.
As good as the performances are, there's a thin line between passionate performances and "scenery chewers!" There are more than a few scenes in "THE LAST STATION" which come dangerously close to having the actors lean over-the-top in their roles! Still, the majority of the drama is compelling and the dialogue, fast and witty. There's more than enough to savor within "THE LAST STATION" to re-visit again and again. Well worth viewing!
SONY has provided the correct 2.39:1 aspect ratio for this AVC MPEG-4 1080p blu-ray. Colors are restrained for the most part, but never dull. Some outdoor scenes are more vibrant than others, however, the depth coinciding with even the softest images, is amazing! Detail is simply amazing, offering a near (3-D) effect in a number of scenes. Contrast is flawless, allowing for impeccable detail, even in the darkest of scenes. A REFERENCE QUALITY IMAGE!
While not "reference quality," the DTS-HD MA 5.1 mix is never-the-less impressive. Front center channel focused, separation, bass and surround effects are utilized with impact, without ever feeling artificial. Music, dialogue and effects are perfectly balanced.
Two commentaries, one with Plummer and Mirren and another with the film's director, are featured. The duo offer a more entertaining commentary with their camraderie apparent throughout.
The commentary with Hoffman is much more technical, and dry. Still, fans of the film will find it rewarding.
Also included, are a gag reel and deleted scenes.