It's a real disappointment to find that a film as well made as "THE GREATEST" never received the rightful theatrical run it deserves. Marking the writing/directorial debut of Shana Feste, it also marks the best performance of Pierce Brosnan's career.
 
Brosnan and Susan Sarandon play Allen and Grace, the loving parents of two boys, one of whom will die in a tragic car accident during the film's opening scene. In one of many brilliant sequences to follow, Feste allows the camera to stay on the grieving parents, within a limousine for their son's funeral, for what could easily have been too long, with a less talented director or cast.  What manifests in this particular scene, is one of the most honest feeling moments in any drama in recent history. It speaks volumes about the true talent lying within Brosnan as well.
 
Soon enough, Grace and Allen find out that their son's girlfriend, Rose, who survived the crash, is pregnant with their grandchild. Taking her in sets both parents and their suriving son into different directions, while trying to accept the fate that's befallen them, and find some way to move on that is manageable.
 
While there are a few moments within the narrative that come close to derailing the atmosphere which otherwise seems so real, things manage to stay on track, offering one of the most refreshing film experiences of the past year.
 
National Entertainment Media has provided the correct 2.39:1 aspect ratio for this 1080p blu-ray. Colors are restrained, but this feels in tone with the intended design. More problematic, however, is the lack of depth and detail. The image appears flat in virtually every scene. Contrast is generally decent, however, darker scenes are hindered due to less than deep blacks. Not a horrible transfer, but certainly disappointing when considering how great a film, "THE GREATEST" is, and deserves to look, especially on blu-ray.
 
NEM has provided a DTS-HD MA 5.1 mix. This isn't an aggressive mix. However, in relation to its "indie" feel, the mix is perfect. Mostly dialogue-driven, separation effects are focused towards the front. Some minor ambient effects kick in to enhance various scenes, eg. the beach getaway, but, for the most part, surrounds are best utilized with the great music, showcasing terrific dynamic range.
 
Deleted scenes and a selection of interviews are included, as well as theatrical trailers.